How does copperfield saw in half




















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Find out here. The saw fitted into a special slot with safety guards on either side. There are a lot of little tweaks and safety precautions built into the trick.

As the saw action was reversed, the actor and David would use a brief period of distraction to swap leg and feet positions so that David could be shown complete. Net Template design by Andreas Viklund. Terms and Conditions Privacy And Cookies. Trick Of The Day: This trick changes daily. Trick Of The Day». Two male assistants turn the box side-on to the audience to show that the blade does indeed pass right through the box, before the blade is lifted out of the box again.

The male assistants then insert two large divider blades into the front of the box. Then then pull the box halves apart, allowing the hoist to lower Copperfield and the blade back down to the stage. With the assistant divided, Copperfield opens the curtains to show the assistant's divided form within, with the left half of their body in the left-hand box, and the right half in the right-hand one.

In the original stage presentation of the illusion, both curtains were opened at the same time, but in later televised performances, just one curtain was opened at a time.

The curtains are then closed, the box halves pushed back together, and the divider blades removed. The curtains are then reopened to show the now restored assistant within, who Copperfield then releases from the leg stocks, allowing her to step down out of the box.

Although Copperfield normally performed it on one of his usual female assistants, he did very occasionally also perform it on his then-wife, supermodel Claudia Schiffer. Shortly after being featured in the TV special, it was removed from the stage show, and is not known to have been performed publicly since.

Although not performed publicly since having been dropped from his stage show, Copperfield has performed it several times during private tours of his magic museum. On one of these occasions, he performed it on actress and magic fan Mischa Barton. Magician Ken Rush performs a version of the vertical sawing in which the assistant's bare arms project out of holes in the sides of the box, being supported by brackets located below the holes.

With the assistant secured in the box, large divider blades are pushed through the box from front to back, allowing the box halves to be moved apart. With the assistant separated, the box halves are then turned around degrees and pushed together, which allows the divided assistant to shake hands with herself. The box halves are then turned back around and pushed back together, allowing the dividers to be removed and the restored assistant to be released from the box.

The earliest vertical sawing was devised by Joseph Dunninger , and involved a long, shallow box mounted on rails that extended across the stage. At the midpoint of the rails, a large buzzsaw was mounted. At the start of the performance, the box was over to one side, clear of the saw, and the end was opened to allow the assistant to slide inside. Her feet would extend from the side nearer the saw, and when the top was closed her hands would extend from it.

Cuffs with long chains were applied to her wrists and ankles to prove she did not pull her hands and feet inside. The box would then be slide into the saw, which would apparently slice through the assistant. Swords would be pushed down through the box to prove the assistant was not hiding in one part. With the box across the saw, the assistant would be asked to move her hands and feet.

Finally, the box would be slide the whole way across, and the assistant released. Early in his career, David Copperfield included such a sawing in two of his early specials. The illusion involved a platform, raised over head height, on which the magician lay down, and then restrained.

He was covered with a box so that only his hands and feet were visible. A saw is then passed down the centre of the box from below, apparently sawing the magician in half.

On one special the sawing was by Marie Osmond, and on another it was by Cindy Williams. A different type of vertical sawing was devised by Simon Drake for one of his TV shows.



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